Channelling the urban restlessness and pulsating life of São Paulo, filmmaker Caetano's bracing drama focuses on those who inhabit the outskirts of an ever-changing metropolis. Newly freed from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) stands at a pivotal juncture; deserted by his parents, the innocent young man seeks comfort in the arms of others.
On an night on the town with his boisterous group of queer and non-binary friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a hunky, charismatic hustler more than twice his age. Illuminated by the wavering neon of a XXX cinema, their initial encounter is physical and passionate, with an tinge of peril. Ronaldo promptly ushers Wellington to the underground scene of prostitution and drug dealing.
The director portrays Wellington’s new life of crime with gentle sympathy rather than as a melodramatic morality play. Now going by the name of Baby, he engages in his paid liaisons with brash fearlessness and touching naivety. To his customers, Wellington lends not only his youth and his body, but also moments of care.
In the feverish excitement of São Paulo, filled with bustling alleyways and brightly painted facades, there’s a gnawing loneliness, as unmoored souls grasp at one another for temporary happiness.
"The urban landscape can be fraught with peril, yet they are where they can discover chosen kin, too."
Ronaldo is at once a romantic interest and a protective father figure to Wellington, but their bond is sabotaged by envy and monetary insecurity. Dangers posed by dubious individuals in the shadow economy seem minor next to the fear of institutional observation and jail time, symbolized by the hovering figures of police officers making their rounds.
Baby is most powerful as a perceptive study of the forgotten souls who have slipped through the gaps the social system. The film ultimately serves as a moving exploration into making ends meet, found community, and the pursuit of purpose within a harsh urban landscape.
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